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Chapter 1 - “Moralize two meanings” in one play: contrariety on the Tudor stage
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 26-41
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Chapter 3 - Mingling vice and “worthiness” in King John
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 57-76
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Acknowledgments
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp viii-x
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Chapter 2 - Performance, game, and representation in Richard III
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 42-56
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Chapter 4 - Clowning: agencies between voice and pen
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 77-98
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Chapter 8 - Character/actor: the deep matrix
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 160-177
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Chapter 5 - Clowning at the frontiers of representation
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 99-116
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Shakespeare and the Power of Performance
- Stage and Page in the Elizabethan Theatre
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- 22 September 2009
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- 07 August 2008
Contents
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp vii-vii
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Notes
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 224-255
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Frontmatter
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp i-vi
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Index
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 256-266
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Introduction
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 1-25
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Chapter 10 - King Lear: representations on stage and page
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 199-223
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Chapter 9 - Character: depth, dialogue, page
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 178-198
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Chapter 6 - Cross-dressing and performance in disguise
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 117-138
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Chapter 7 - Personation and playing: “secretly open” role-playing
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 139-159
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3 - Pen and voice: versions of doubleness
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 54-78
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Frontmatter
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp i-viii
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Introduction: conjunctures and concepts
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 1-17
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